Resources by Nicoletta, Julie

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“Selling Spirituality and Spectacle: Religious Pavilions at the New York World’s Fair of 1964–65”

Nicoletta, professor of architectural history, sees the 1964-1965 World’s Fair reflecting a major shift in the 1960s from modernism to postmodernism. The Christian Science pavilion was a dazzling white structure topped by a translucent pyramid that bathed the interior with light. The natural light, reflecting pool, white color, and symbolic use of the number seven, conveyed the harmony of Christian Science.

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